Category Archives: Spirituality
I am a Muslim who sometimes attends my local Quaker meeting. In England, Quaker meetings offer unstructured worship where one sits in silence until someone feels moved to speak. In my local meeting I can generally enjoy 30 mins of silent meditation or dhikr until someone speaks. In the silence, Quakers wait on God “as if none were present but the Lord” and the metaphors they commonly use to describe God are spirit and light, which map to the Sufi concepts of ruh and noor.
The ‘Quaker Faith and Practice’ book which sets out the current rules for Quakerism in England says that you need to be “broadly Christian” to be a Quaker (i.e. to be a member of The Religious Society of Friends which is the English Quaker congregation). However, many Quaker meetings (including my local one) make no distinction between members and regular attenders. There is no requirement for an attender to be Christian, as long as one is “in sympathy” with the meeting.
In fact, I have found a number of Quakers to be in sympathy with Sufism. One lady at my local meeting is planning a return trip to Konya after a moving visit. She asked the Sufi brethren who were her guides in Konya to take her to Rumi’s mausoleum but they insisted on taking her to Shams first. Soon after arriving at Shams’ tomb she was overcome by emotion and found herself kneeling on the floor weeping! However, when she was taken to Rumi’s tomb she found it quite ordinary in comparison. When she asked the Sufi brethren why, they asked her “where do you think Rumi is?” In death there is nothing to keep Rumi apart from Shams so Mevlana can be found at the tomb of his friend.
Islam places creativity and art at the centre of human existence. Everything humans produce has an aesthetic quality, even the way we drive or speak. Art is the ability to generate beauty and we can all be artists in whatever we do, by doing it beautifully. This is ihsan. For example, our relationships need the quality of ihsan. Sound relationships are creative, and are based on the recognition of others’ souls. Human beings are the summit of creation, not to exploit others but to help the rest of creation to flourish. The Muslim as khalifa is a gardener, an artist, a carer of ophans. If we behave in these beautiful ways we will naturally embue our surroundings with beauty, just as the “classical mosques were built in the form of peoples’ souls” (1) as natural expressions of beauty rather than deliberate artistic creations.
Human beings have a special ability to distill and recycle beauty, meaning that we take the beauty of the natural world in through our senses, receive inspiration from the spirit (ruh), and then +add+ to the beauty of the natural world through our artistic creations. This cycle of creativity is the true source of sustainability.
Al-Ghazali said that “True art is in hearth and earth” (1). Abdal Hakim Murad (AHM) comments that ‘earth’ represents the natural realm and ‘hearth’ represents the human realm. The natural world, particularly its mineral and vegetal forms, provides inspiration for Muslim art. The human form is not a basis for Muslim art and AHM criticises Michelangelo as a “pagan restoration” – not monotheistic. AHM said there is something ‘theophanic’ about the human face which naturally draws our attention and changes the nature of a space, therefore human images are not suitable in a place of worship. However, even with regard to the mineral and vegetal, Muslims go beyond the outward forms and observe the underlying archetypes. In mosques we rarely see actual pictures of flowers or trees, but instead we see patterns of sacred geometry which abstract the underlying archetypes from the natural world and create serenity in our hearts.
(1) Abdal Hakim Murad, Al-Ghazali Retreat 2012
(2) ‘Contentions’, 17th set, number 2
The spirit is impractical. The spirit is of no use. It cannot be used. Any attempt to use the spirit contravenes its nature. Impractical spirituality is based on this recognition. Rather than try to use the spirit, impractical spirituality enjoys the beauty of spirit for its own sake.
To directly seek practical applications of the spirit such as ‘spirituality in the workplace’ is to miss the point. Sure, we can appreciate the beauty of the spirit anywhere: in the home, workplace, in the car, or on a plane — but attempts to put the spirit to use in those places are like trying to form water into a chair.
Better to let the spirit use us, because the spirit is not ours to command. In Arabic the path of the spirit (ruh) is called Ruhaniyat.
“They ask thee [Mohammed] concerning the spirit. Say: “the spirit comes by command of God. Only a little knowledge of it is given to you, (O men!)” Qur’an 17:85
I would like to compare attitudes to religion across three periods of history: the traditional period, the modern period, and the post-modern period. Religions are generally associated with the traditional period, when they held sway, whereas the modern period is characterised by religion’s loss of dominance. It should be noted that different people, countries and areas of the world are at different points in the cycle: even within the same city it is possible to find modern and even post-modern people living in close proximity with traditional people.
Religion has survived in the modern period, although it has lost its dominance. Modern religion has different characteristics from traditional religion. A good place to find a systematic characterisation of modern religion is Donald Lopez’ book “A Modern Buddhist Bible” where he writes:
“Certainly, modern Buddhism shares many of the characteristics of other projects of modernity, including the identification of the present as a standpoint from which to reflect upon previous periods in history and to identify their deficiencies in relation to the present. Modern Buddhism rejects many of the ritual and magical elements of previous forms of Buddhism, it stresses equality over hierarchy, the universal over the local, and often exalts the individual over the community. (p.ix)”
Lopez also points out that modern Buddhism, like other modern expressions of religion, seeks to associate itself with the ideals of the European ‘Enlightenment’ such as “reason, empiricism, science, universalism, individualism, tolerance, freedom and the rejection of religious orthodoxy” (p.x).
Regarding the modern notion of progress which identifies “the present as a standpoint from which to reflect upon previous periods in history and to identify their deficiencies”, this is in sharp contrast to the traditional religious notion of degeneration (found in both Islam and Buddhism), which views the original teaching / revelation period (via the Prophet Mohammed and the Buddha respectively) as the ‘Golden Age’ and all subsequent generations as degenerating, more or less steeply, in virtues and accomplishments. Modernism is enamoured with the idea of progress and views the present as the most progressive age, looking down upon the ‘backwardness’ of previous ages, even the times of Mohammed and the Buddha.
The trick with modernism, as with all ideological prisms, is to recognise it as such from within. It appears so neutral, so objective, yet it is anything but. For example, the project of presenting Ibn Arabi’s philosophy to a ‘modern’ audience presupposes that such an audience even exists – in fact ‘modern’ times may be over, and the assumptions of modernism may be as (ir)relevant as the assumptions of Victorian Christianity.
Unlike modernism, post-modernism is not opposed to traditional religion. Post-modernism is basically looking for good stories (texts) and religions provide these (though it is worth noting that post-modernism prefers to relativise rather than accept any one story’s claim to absolute truth). The real strength of post-modernism comes from inhabiting the text: only by immersing oneself in the text and appreciating it from its own perspective can the story exert its full weight and narrative drive. Modernism, weighed down by its positivist agenda and burden of ‘objectivity’, can never cross the threshold of the religious text – it can only view it as a ‘spectacle’, like a tourist visiting Westminster Abbey. That is why modernists cannot truly appreciate religion.
Like traditionalists, post-modernists can and do step over the threshold of participation, and experience the force of the religious text. In this respect both are the “blind followers” so derided by modernists. The difference is that, unlike traditionalists, post-modernists retain a ‘knowing’ attitude (almost like Orwellian double-think) which enables them to simultaneous immerse themselves in and retain distance from the text.
The concept I want to introduce is the Hegelian concept of ‘Geist’. When talking at a macro level about the rise and fall of civilisations or empires, the concept of Geist can be illuminating.
The point is that all national, religious and organisational success factors that can be identified by conventional study are secondary factors, the manifestations of Geist. The primary cause of success is Geist itself and the secondary factors are, in a sense, incidental. Even if an organisation possesses many of the factors that have made other organisations successful in the past, it will not be successful without Geist.
There is an analogy here with religious forms such as rituals, which are ‘left over’ by the movement of Geist. They may have been very useful at one time but, unless they continue to be infused by Geist, they become empty vessels.
How then can organisations deliberately tune into Geist? Leaving aside the moral questions for now, it is possible as Pierre Wack showed while working for Shell. His spiritual training with Gurdjieff allowed him to tune into macro scenarios like the coming Opec oil shock. But Geist (Arabic: Ruh) cannot be placed at man’s disposal – rather, we are at its disposal.